JoMeòwó @[email protected]

啊！奶油打发过了！为什么没盯着它就会变成疙瘩！难道直接打成黄油吗😭

感觉应该有相关资料，想了解一下我们（或者说国内？）认知里的“名著”“文学经典”有多少在它们原有的时代是比较典型的文化消费品......没有想好具体的表述，大概就是像莎士比亚的剧本是用于表演，大仲马的小说作为通俗小说会有一些不那么canon的写法，菲茨杰拉德的小说在报刊连载（类似这种需要读者消费/报刊媒体发展的条件）。

请问有用卫生棉条的象友吗，可以推荐一下比较好用的牌子吗😭
这几年越来越觉得卫生巾夏天用起来太热，想换成棉条试试……

认识的很多画师授权9397出手机壳或者鼠标垫的周边然后去看了看，正好最近需要鼠标垫就买了一个。印刷效果确实不错但是材质给我的感觉一言难尽……鼠标垫又薄又软，折痕很难消失。有点可惜那位太太那么好的画。（不满意.jpg

“Now that we are nearing the conclusion of these notes, it is time to reveal my own prejudice concerning how a horror story should be written. It is my view, and this is only an opinion, mind you, that horror has a voice proper to itself. But what is it? Is it that of an old storyteller, keeping eyes wide around the tribal campfire; is it that of a documentarian of current or historical happenings, reporting events heard-about and conversations over-heard; is it even that of a yarn-spinning god who can see the unseeable and narrate, from an omniscient perspective, a scary set of incidents for his reader’s entertainment? All things considered, I contend that it is none of these voices, nor is it any of the others we have analyzed up to this point. Instead, so I say, it is a lonely voice calling out in the middle of the night. Sometimes it’s muffled, like the voice of a tiny insect crying for help from inside a sealed coffin, and other times the coffin shatters, like a brittle exoskeleton, and from within rises a piercing, crystal shriek that lacerates the midnight blackness. In other words, the proper voice of horror is really that of the personal confession.”
蛮喜欢这段的所以摘录出来…出自“Notes on the Writing of Horror：A Story”
前几天看到有出版社发Ligotti的短篇译本，因为《死梦者之歌与阴郁的抄写员》这个题目很吸引我，所以找了电子书作睡前读物。有一种奇妙的阅读感受…不太容易作类比。

总感觉把antithesis翻译成对偶很别扭..

契诃夫的戏剧给我印象最深的大概是那句“普拉东诺夫在痛。”后来再读到吉他弦断后的寂静，大灾难前的寂静，感到彼时彼刻无非是此时此刻。

其实有点想养守宫，但是感觉之后上学不在家+猫太能闹，感觉爸妈应该不太能照顾明白……